Ronald
Davis' resin and fiberglass
paintings of the late sixties laid to rest the demand that important
abstract painting not be illusionary. Colored planes of splattered
and solid resin were painted face down on a Formica table mold, so
that the color resides behind the actual glass-like surfaces of the
shaped pictures. The illusionary and depicted deep space was inspired
by the Renaissance perspective of Paolo Uccello and the perspective
studies of Marcel Duchamp, as well as the galactic drips and splatters
of Jackson Pollock, the striated canyons of Clyfford Still, and the
push-pull of Hans Hoffman. His mastery of the language of color, perspective
geometry, space, time, and his virtuoso paint handling lend to the
work a profound poetry. Davis' work can convey extreme wit, sensitivity,
and at the same time a no-holds-barred toughness. His paintings are
a complex strata of paradoxes. They combine then new to painting surf
board technology with ferocious Jackson Pollock-like freedom, Renaissance
perspective, and Piet Mondrian's balanced precision. Davis brought
to reality the beginning of a new age of the painterly possibilities
of post-Einsteinian concepts. Influences of Ronald Davis' splattered,
geometric paintings of the middle and late sixties can be seen everywhere
in today's art world.
Davis has been exhibiting his work since 1963 and has had a total
of 58 one-man shows in major galleries and museums all over the world.
His work has appeared in countless major group exhibitions, and his
paintings are in important museums and private collections all around
the world.
Born 1937, Santa Monica, California
Resides in Arroyo Hondo, New Mexico
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