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Kenneth O'Neil

Ken O'Neil, The Fall

Kenneth O'Neil
The Fall ,
2000

24 x 24 inches
Mixed media on wood

TWO WORLDS

 My goal is to paint images that can exist in two worlds, the ancient and the modern. What leads me to this path is my fascination for the art of those who have gone before me, including those who used cave walls for their canvas; a woven textile filled with symbology; petroglyphs and pictographs; finely textured and structured stone walls and statues. Maybe theirs was an adventure into an unknown world also. Did they take risks? One thing they seemed to have in common was the simple expression of a complex thought. I feel a kinship with them.

 In Peru, a country that withholds its secrets from the past or gives them up slowly, the evidence of such an art form is everywhere: in the exquisite woven textiles of Paracas, Chancay, Nasca and the Inca, among others; in the mystery of stone in places like Macchu Picchu and Vitcos; and in the gold artifacts of pre-Columbian cultures. Today the indigenous people still carry the knowledge within them. After several years of exploring there I am just getting a hint of the power and glory of these civilizations and how they represented their skills in these visual ways.

 In my work I am deeply affected by the spiritual nature of these artists of the past. Shamans, priestesses, weavers and potters reflected their innermost thoughts in the cave wall paintings and petroglyphs, in the stonework and in the textiles of the ancients. To me the term "prehistoric art" seems somewhat pejorative, as if it was of a lesser quality. Nothing could be further from the truth. That work truly does live in two worlds, the ancient and the modern.

 Joseph Campbell, in his analysis of cave art and prehistoric art says,

 "The address and appeal of any traditional art is of two degrees or ranges:

1. an exoteric, or popular range, addressed to the well-being of the community and the harmonious organization of the community.

2. an esoteric, or not easily understood range, made known only to initiates through trials and transformative revelation."

 If I can build a bridge between the traditional esoteric expressions of long ago artists and this culture, and invite the viewer to step in and pass through from one world to another, then I am putting my expression on canvas or paper the way I want to.

 . . . Ken O'Neil

Lives in Taos, NM

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