William
Pettet by
1968 widened his range of interest and radically changed his painting
methods. He extended his scale, worked unstretched on the floor
and the wall and began using his spray guns and air compressors
to vary the surfaces of his pictures. He began to paint large,
lyrical, free spirited, Monet-like, sprayed acrylic stain paintings.
Many of the pictures maintained a sense of monochromatic color
but the range of surface and value created by his use of his spray
guns lent tremendous expression to the paintings through drawing.
These were Pettet's first Lyrical Abstractions; and he painted
with astonishing lucidity. When Pettet moved to New York City in
1969 his work grew more direct as he brushed and drew large flowing
shapes into his stained and sprayed surfaces. Throughout the 70's
Pettet made beautiful abstract paintings with knives, squeegees,
and stains. He has a particular ability to juxtapose odd colors
together and make them work. Many of his paintings recall the great
English Landscape painter Turner. I can't see the ironical Lyrical
Abstraction of Gerhardt Richter of the last few years, without
immediately thinking of William Pettet, although Pettet predates
Richter by more than a decade. William Pettet began to exhibit
his paintings in Los Angeles in 1966. By the time he moved to New
York City in 1969 he had had several solo exhibitions of his paintings
and his work had been included in major group shows around the
world. William Pettet's work is in many important museum and private
collections in the United States and abroad. His work has been
included in important publications and he has had several solo
exhibitions in the United States and Canada
Born
in 1942, in Whittier, California
Resides
in Brooklyn, New York |